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| Saturday June 1, 2002 | |
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Four or Five Minutes From Broadway Backers Audition of "The Magician" in Lower Manhattan |
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The producers of "The Magician" are Teri Solomon Mitze, Kardanna-Swinsky Productions, Dodger Theatricals, James M. Nederlander, James L. Nederlander, Marc Goldman, and Gay Blackstone. Gay Blackstone and Charles Reynolds receive credit for the magic with John Gaughan receiving credit for Grand Illusion Design. The script is by Ivan Menchell with music by Grant Sturiale. At the showing attended by MagicTimes the music was presented by a live ensemble consisting of Mr. Sturiale at the piano, Shawn Gough on Electric Keyboard and Ed Shea providing percussion. Although the show has several dance numbers choreographed by Broadway veteran Pat Birch, "The Magician" is not a musical. The story of "The Magician" features familiar elements of romantic fantasy and backstage nostalgia, the search for love and the child within. Although this presentation was only 50 minutes in length and offered excerpts, condensed elements and slides in place of full scenes and scenery, this capsule rendition introduced several key themes of the story as well as the key characters who inhabit "The Magician." The audience received large helpings of magic throughout. The riddle of the Sphinx is called to mind as "The Magician" presents us with the protagonist in three phases of life; an old man. a young man, and as a young boy. The magician, as old man and young man is played by Bob Walton and the boy played with great enthusiasm by Zack Ross. The boy and the young man share the stage frequently as alter egos once the elder magician has fallen into the magic wonderland that exists inside an old run down vaudeville theater. A romance of two souls entwined across time and imagination is spun between Walton as the magician, and his at first reluctant assistant, played by Valerie Wright.
During the fifty minute "special introduction" to the show, an outline of an Apache Dance with cigarette manipulations was presented. A magical playlet within the show, to be staged in a 1930's gas station set was described. A segment featuring the Tire Illusion as featured by Blackstone Sr. was expounded upon. These skeleton demonstrations were in addition to a good deal of magic actually presented during the course of this backers audition program. The production of a large live tiger concluded this "taste" of "The Magician." Wizards especially like to peek backstage. This chance to take a look behind the curtain at a theatrical undertaking "in the works" was a treat for those magic minded folks who were fortunate enough to attend these special performances of "The Magician." ---Richard Steven Cohn
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